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    • Documentation
    • Wander Woman
    • The Bindle
    • Hospitality
    • The Morphing Woman
    • Heavy Load
    • Mother Earth/Queen Of Trash
    • No Longer Your Chica
    • The Longest Journey
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    Deborah Wasserman is a Jackson Heights painter and educator focusing on  the female subconscious
    Installation view
    Three paintings at the studio
    Embedded Wasserman's work are themes of migration, women’s journeys  earth deterioration and women's work
    The Needle and the Tear (1)
    Acrylic, oil, stained clothes on canvas, needle and thread 48” x 36”
    Deborah Wasserman magic realism and abstraction
    Like a Rolling Stone
    Acrylic and oil on canvas, 48” x 48”

    Deborah Wasserman Jackson Heights is a an artist dealing with climate change
    The Needle and the Tear (2)
    Acrylic, oil, stained clothes on canvas, needle, thread, 48” x 36”
    Deborah Wasserman New York Artist on women's journey and women's work
    Heavy Load, Washing Stains
    Acrylic and oil on canvas, 48” x 48”
    Deborah Wasserman New York Artist paints the brutality and beauty of Mother Earth
    River of Fire
    Ink, acrylic and oil on canvas, 57” x 38”

    Deborah Wasserman Artist New York uses rags in her work to symbolize women's work and labor
    The Fugitive
    Acrylic, oil and stained clothes on canvas, 48” x 48”

    Deborah Wasserman New York Artist
    The Fugitive
    Acrylic, oil and stained clothes on canvas, 48” x 48”
    Embedded Wasserman's work are themes of migration, women’s journeys and earth deterioration
    The Fugitives
    Acrylic, oil and cut cloth on canvas, 48" x 36"

    Deborah Wasserman New York Artist landscapes denounce the abuse of the natural world and paints migrants at sea
    Life Vests
    Acrylic, oil and stained clothes on canvas, 48” x 48”

    Deborah Wasserman New York Artist paints burnt trees and houses climate change
    House on fire (2)
    Ink, acrylic and oil on canvas, 57” x 38”
    Deborah Wasserman's art criticizes Western, Post-Capitalist society and its systematic exploitation of humans and natural resources
    House on Fire (2)
    Detail

    Abstraction, landscape painting and Magical Realism merge in Deborah Wasserman's canvases she paints tents and migrants
    The Eyes in the Tents (3)
    Acrylic, oil and cloth on canvas, 57" x 38"

    Abstraction, landscape painting and Magical Realism merge in Deborah Wasserman's canvases  she paints migrants and tents
    The Eyes in Tents (3)
    Detail
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    Artist, New York City

    © Deborah Wasserman 2022